Volume XLII-2/W9
Int. Arch. Photogramm. Remote Sens. Spatial Inf. Sci., XLII-2/W9, 243-247, 2019
https://doi.org/10.5194/isprs-archives-XLII-2-W9-243-2019
© Author(s) 2019. This work is distributed under
the Creative Commons Attribution 4.0 License.
Int. Arch. Photogramm. Remote Sens. Spatial Inf. Sci., XLII-2/W9, 243-247, 2019
https://doi.org/10.5194/isprs-archives-XLII-2-W9-243-2019
© Author(s) 2019. This work is distributed under
the Creative Commons Attribution 4.0 License.

  31 Jan 2019

31 Jan 2019

AUGMENTED EXPERIENCE TO DISSEMINATE CULTURAL HERITAGE: HOUSE OF COMMONS WINDOWS, PARLIAMENT HILL NATIONAL HISTORIC SITE (CANADA)

B. Carrión-Ruiz1, S. Blanco-Pons1, M. Duong2, J. Chartrand2, M. Li2, K. Prochnau2, S. Fai2, and J. L. Lerma1 B. Carrión-Ruiz et al.
  • 1Department of Cartographic Engineering, Geodesy and Photogrammetry, Universitat Politècnica de València, Photogrammetry & Laser Scanning Research Group (GIFLE) Valencia, Spain
  • 2Carleton Immersive Media Studio, Carleton University, Ottawa, Canada

Keywords: augmented reality, AR, BIM, Cultural Heritage, markerless tracking, 3D modelling

Abstract. The use of photogrammetry and terrestrial laser scanning for building information modelling (BIM) in the documentation and conservation of Cultural Heritage (CH) is now well established. By combining BIM with the latest visualization technologies, powerful, semi-immersive experiences can be developed to enhance the dissemination of CH. In semi-immersive experiences such as Augmented Reality (AR), digital content can be overlapped on to physical spaces, providing a new way to interact with both the physical space and the digital content.

This paper discusses the translation of a digital object created using BIM, into a physical object and the utilisation of this physical object as a trigger for an AR experience. The case study looks at one of the neo- Gothic window frames from the House of Commons in the Centre Block of the Parliament Hill National Historic Site, in Ottawa, Canada. The window frame is one in a series that represents a Canadian province or territory with a stained glass feature that includes floral emblems and heraldic symbols from the respective provincial or territorial shield. The frame in this case study corresponds to the stained glass window of five provinces. Using the replica frame as a target, the user can select which stained glass windows they would like to view in the AR application.

Through these combined technologies, we argue that CH can be revealed in a more interactive way and therefore more engaging manner – making even inaccessible architectural details readily available to the public.