Volume XLII-2/W5
Int. Arch. Photogramm. Remote Sens. Spatial Inf. Sci., XLII-2/W5, 737-741, 2017
https://doi.org/10.5194/isprs-archives-XLII-2-W5-737-2017
© Author(s) 2017. This work is distributed under
the Creative Commons Attribution 4.0 License.
Int. Arch. Photogramm. Remote Sens. Spatial Inf. Sci., XLII-2/W5, 737-741, 2017
https://doi.org/10.5194/isprs-archives-XLII-2-W5-737-2017
© Author(s) 2017. This work is distributed under
the Creative Commons Attribution 4.0 License.

  23 Aug 2017

23 Aug 2017

THE MONITORING AND ANALYSIS OF THE CHINESE TRADITIONAL ARCHITECTURE PAINTING DECAY – THE CASE OF JILAN PAVILION IN THE SUMMER PALACE

L. Zhan1, Z. Wang1, X. Zhao2, Z. Liu1, and G. Liu1 L. Zhan et al.
  • 1School of Architecture, Tianjin University, No.92 Weijin Road, Tianjin, China
  • 2Management Office of The Summer Palace No.19 Xinjiangongmen Road, Beijing, China

Keywords: Heritage Monitoring, Digital Record, Light Environment Stimulation, Painting Protection

Abstract. The painting is one of the most decorative elements of ancient Chinese architecture and it is sensitive to the natural environment. The outdoor painting is very easily to be affected by the natural environment and its color is easily to decay. In order to study the relationship between the painting decay and the physical environment, the two paintings on both east and west inner eaves of Jilan Pavilion beside the Kunming Lake in Summer Palace are taken as the research objects, because these two paintings are painted at the same period but their decay degrees are greatly different. Since 2013, the research group regularly monitors the color decay of these two paintings. Meanwhile, the physical environment around these two paintings has been monitored. Based on the analysis of the monitor data, it can be seen that the illumination is the major factor that causes the decay of the painting. Meanwhile, by using the ECOTECT software to stimulate the light environment around the Jilan Pavilion, it can be seen that it is the mirror reflection of the lake that causes the result that the illumination of the west eave (face east) is stronger than that of the east eave (face west).